The Critical Principles of Orestes a Brownson

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James Sulley in the Encyclopaedia Britannica, article "Aes thetics, " says that "aesthetic contemplation is marked off from the arduous mental work which enters into the pursuit of knowl- 24 An opinion not infrequently found is that the external form never equals, but only approaches, the internal expression. Francis Thomp son, e. G. , writes: "In Painting and Music the same thing holds good. In both there is the conception (a term perhaps less suggesting unreali ty than the term 'ideal') with
...dts material expression; and between these two stages a mental expression which the material expression cannot realize. " Op. Cit. , Hi, 85.
64 THE CRITICAL PRINCIPLES OF ORESTES A. BROWN80N edge;" again, "aesthetic experience is cjearly marked off from practical life, with its urgent desires and the rest. " He here touches upon a point that is often brought forth with regard to art, that a work of art should be intelligible at first sight under proper conditions. The same is well expressed by Saint Thomas when he calls the beautiful that which pleases when seen (i.


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