The Development of the Historic Drama Its Theory And Practice a Study Based C
The Development of the Historic Drama Its Theory And Practice a Study Based C
Louise Mallinckrodt Kueffner
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"^ Again he says, "Die Volksscenen [in Napoleon] werden koestlich, besser als im Sulla. '" '^ He is especially proud of great battles in which whole nations are opposed to one another.^ He also prides himself on his excellent individualization of the masses. He com- mends what he has done in this regard in Marius und Sulla/* and speaks of the art he has shown in the picturing of the Saxons and Suabians. 7 To guilds of people he purposely gives a family resemblance, saying, "Ich habe die preussi...schen Jaeger mit Willen conform gemacht. "^ Shakespeare he had criticized for not characterizing justly the French whom he hated, ^ and for not characterizing the English in King John as Anglo-Saxons in contrast to the Norman nobility. '° Uechtritz he criticizes for not having differentiated "die slavischen Gepiden und die germanischen Lango- barden. "" Grabbe has full joy in the varied life of the mass, but is often also dis- couraged by a seamy side of the petty mass. "Die Menge ist ein Hund, je mehr Pruegel, je folgsamer.
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