The Double Curve Motive in Northeastern Algonkian Art
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Mary, N. B. PLATE VI. A Iroquois woman's beaded leggings, b Iroquois woman's beaded leggings. C Huron beaded case for scissors, d Iroquois woman's beaded leggings. Division of Anthropology, Museum Nos. Ill I, 39; III I, 196; III H, 203; III I, 364. Collected by E. Sapir (a) and Chief John Gibson (b and d) at Grand river, Ont. , and C. M. Barbeau (c) at Wyandotte Reservation, Okla. PLATE VII. Iroquois girdle for cradle-board. Huron beaded work-bag, made from woman's skirt. Iroquois girdle for cr...adle-board. Division of Anthropology, Museum Nos. Ill I, 532; III H, 153; III I, 37. Collected by C. M. Barbeau (a and b) at Oklahoma, and E. Sapir (c) at Grand river, Ont. It PLATE VIII. Naskapi coat. Heye collection, Univ. Of Pa. Museum. PLATE IX. A Montagnais bark box with cover. B Cover of bark box. C Montagnais bark basket, d Montagnais bark box with lid. Division of Anthropology. Museum Nos. Ill C, 162; III C, 162; IIIC, 211; IIIC, 17. Collected by F. G. Speck (a, b, and c), and E. Sapir(d) at Lake St.
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To quickly assess the difficulty of the text, read a short excerpt:
Mary, N. B. PLATE VI. A Iroquois woman's beaded leggings, b Iroquois woman's beaded leggings. C Huron beaded case for scissors, d Iroquois woman's beaded leggings. Division of Anthropology, Museum Nos. Ill I, 39; III I, 196; III H, 203; III I, 364. Collected by E. Sapir (a) and Chief John Gibson (b and d) at Grand river, Ont. , and C. M. Barbeau (c) at Wyandotte Reservation, Okla. PLATE VII. Iroquois girdle for cradle-board. Huron beaded work-bag, made from woman's skirt. Iroquois girdle for cr...adle-board. Division of Anthropology, Museum Nos. Ill I, 532; III H, 153; III I, 37. Collected by C. M. Barbeau (a and b) at Oklahoma, and E. Sapir (c) at Grand river, Ont. It PLATE VIII. Naskapi coat. Heye collection, Univ. Of Pa. Museum. PLATE IX. A Montagnais bark box with cover. B Cover of bark box. C Montagnais bark basket, d Montagnais bark box with lid. Division of Anthropology. Museum Nos. Ill C, 162; III C, 162; IIIC, 211; IIIC, 17. Collected by F. G. Speck (a, b, and c), and E. Sapir(d) at Lake St.
What to read after The Double Curve Motive in Northeastern Algonkian Art?
You can find similar books in the "Read Also" column, or choose other free books by Frank Gouldsmith Speck to read onlineMoreLess
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