The Drama of Transition Native And Exotic Playcraft

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Soon we discover Morselli in the "movies" as an actor, and he readily advances to the position of director. The war, however, cuts short his cinemat- ographic ventures. His noted tragedy Glauco is now beginning to take shape; he reads the first draught to the composer Franchetti, who is so struck with it that he immediately acquires the rights to set it to music. A period of illness inter- venes, and it is not until he is out of the sanatorium that Morselli writes the final draught in twenty da
...ys at Blevio. He leaves the sole copy in the com- partment of a railroad car, and it is recovered only ITALY 149 after a campaign of telephone calls and telegrams.
From one manager to another it travels until at last it is produced through the enterprise of Vir- gilio Talli and acted in triumph by Annibale Be- trone, proving to be the greatest success since Benelli's La Cena delle Befe {The Supper of Jests).
The furore created by Glauco led, of course, to the republication of Morselli's other labors; he had al- ready been working upon two tragedies, Dafne e Cloe and Belfagor; now he considered a new modern play as well, to be called L'Incontro.


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