The Earliest Painted Panels of Catalonia
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: St. Edmund Codex. First Half of Twelfth Century j^ VlOi. 'S? — Santiago, Cathedral: Charlemagne Codex. Twelfth Century The Art Bulletin 17 The close analogies with the sculpture of southern France, which have been indicated above, furnish a definite terminus a quo for the date of this work. As imitative of such work as Moissac, not executed before 1115, and Beaulieu, dated by Male before 1135, the panel must be placed after the latter. The zigzag ribbon with foliate filling is an old manu- sc...ript ornament, but the bead-and-lozenge on the throne is like the bead-and-reel stucco ornament which is so common in Catalan antependia from the second half of the twelfth century on. The deep slit in the tunic worn by Christ, which is so close to French ex- amples, even as late as Chartres, and the type of tunic worn by the angels, which is similar to that found in the fresco at Montoire, as well as the straight underlid, would all tend to place the panel toward the middle of the century. The old Latin formula used for the facial type, however, is evidence against a later date, and we must therefore place this altar-canopy in the second quarter or middle of the twelfth century.
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You can find similar books in the "Read Also" column, or choose other free books by Cook, Walter W. S to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
: St. Edmund Codex. First Half of Twelfth Century j^ VlOi. 'S? — Santiago, Cathedral: Charlemagne Codex. Twelfth Century The Art Bulletin 17 The close analogies with the sculpture of southern France, which have been indicated above, furnish a definite terminus a quo for the date of this work. As imitative of such work as Moissac, not executed before 1115, and Beaulieu, dated by Male before 1135, the panel must be placed after the latter. The zigzag ribbon with foliate filling is an old manu- sc...ript ornament, but the bead-and-lozenge on the throne is like the bead-and-reel stucco ornament which is so common in Catalan antependia from the second half of the twelfth century on. The deep slit in the tunic worn by Christ, which is so close to French ex- amples, even as late as Chartres, and the type of tunic worn by the angels, which is similar to that found in the fresco at Montoire, as well as the straight underlid, would all tend to place the panel toward the middle of the century. The old Latin formula used for the facial type, however, is evidence against a later date, and we must therefore place this altar-canopy in the second quarter or middle of the twelfth century.
What to read after The Earliest Painted Panels of Catalonia?
You can find similar books in the "Read Also" column, or choose other free books by Cook, Walter W. S to read onlineMoreLess
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