The First Principles of Pianoforte Playing Being An Extract From the Authors
The First Principles of Pianoforte Playing Being An Extract From the Authors
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Both thereupon rebound ; and the hammer, falling away from the string, leaves the latter free to continue in vibration, gradually expending the energy communicated to it, unless stopped by the Damper. ' /ij : The hammer can therefore only communicate movement to the string during the latter's Jirst vibration ; and can only do so, during the first quarter of such first to-and-fro movement of the string.
iJ : As the hammer ceases to influence the string the very mo- ment that Sound begins, it fol...lows, that this moment forms the conclusion and cessation of the Act of Tone-production ; for the string cannot move quicker than it does at that moment, since it has ceased to be under the influence either of Key or Finger.
J) : Tone-production at the Pianoforte is therefore a discontin- uous Act ; an act separate for each note ; and one that ceases with the moment when Silence changes into Sound.
k) : Beauty in the Quality of a sound, depends on the string's vibrations tending rather toward the simple types of movement than toward the compound forms ;— the resulting tone is thus less embarrassed with the harsher harmonics.
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To quickly assess the difficulty of the text, read a short excerpt:
Both thereupon rebound ; and the hammer, falling away from the string, leaves the latter free to continue in vibration, gradually expending the energy communicated to it, unless stopped by the Damper. ' /ij : The hammer can therefore only communicate movement to the string during the latter's Jirst vibration ; and can only do so, during the first quarter of such first to-and-fro movement of the string.
iJ : As the hammer ceases to influence the string the very mo- ment that Sound begins, it fol...lows, that this moment forms the conclusion and cessation of the Act of Tone-production ; for the string cannot move quicker than it does at that moment, since it has ceased to be under the influence either of Key or Finger.
J) : Tone-production at the Pianoforte is therefore a discontin- uous Act ; an act separate for each note ; and one that ceases with the moment when Silence changes into Sound.
k) : Beauty in the Quality of a sound, depends on the string's vibrations tending rather toward the simple types of movement than toward the compound forms ;— the resulting tone is thus less embarrassed with the harsher harmonics.
What to read after The First Principles of Pianoforte Playing Being An Extract From the Authors?
You can find similar books in the "Read Also" column, or choose other free books by S2022the20art20of20touch2c2220designed20f to read onlineMoreLess
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