The History of Rome volume 1

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The most considerable works of art appear to have been executed abroad. We have just mentioned the statues of clay alleged to have been executed in Veii ; and very recent excavations have shown that works in bronze made in Etruria, and furnished with Etruscan inscriptions, circulated in Praeneste at least, if not generally throughout Latium. The statue of Diana in the Romano-Latin federal temple on the Aventine, which was considered the oldest CHAP, xv ART 307 ~~ statue of a divinity in Rome, 1... exactly resembled the Massiliot Statue of the Ephesian Artemis, and was perhaps manufac- tured in Velia or Massilia. The guilds, which from ancient "-times existed in Rome, of potters, coppersmiths, and gold- / smiths (p. 249), are almost the only proofs of the existence of native sculpture and design there ; respecting the position of their art it is no longer possible to gain any clear idea.
If we endeavour to obtain historical results from the Artistic re archives of the tradition and practice of primitive art, it is in the first place manifest that Italian art, like the Italian ments of measures and Italian writing, developed itself not under ca ^ s a ^ s Phoenician, but exclusively under Hellenic influence.


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