The Influence of Beaumont And Fletcher On Shakspere

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K. , V, 3.
8 V, 2 (Fletcher). For other Ordella Scenes, see III, i ; IV, i.
80 wicked queen-mother commits suicide; and the faithful friend is left to curse her and to lament his friend.
The development of the characterization even more closely resembles that of the other Beaumont and Fletcher romances. Ordella is merely named in the history; in the play she becomes another of the devoted, sacrificing, idyllic maidens so familiar in Beaumont and Fletcher. Martell, the blunt and faithful friend,
... and De Vitry, a sort of understudy, are not so much as hinted at in the history but are of a type familiar in the other romances and perhaps most highly developed in Mardonius of A King and No King. Protaldy in the chronicles is the par- amour of Brunhalt, but a man ' ' subtil et habile en toutes actions;" 1 in the play he is developed into the utter poltroon and supplies the comic element. He reminds one very closely of Bessus in A King and No King. Brunhalt and Thierry are at least outlined in the history, but in the play they are developed much as their prototypes are developed in Cupid' s Revenge from a similar outline in the Arcadia.

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