The Influence of the German Volkslied On Eichendorffs Lyric

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The Influence of the German Volkslied On Eichendorffs Lyric
Jacob Harold Heinzelmann
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Modelled after the above Volkslied is also Dren'ano's, ;Wenn ich ein Bettelmann war, kam ich zu dir" (II, 125). See further the series of wishes in Goethe's „Liebhab2r in alien Gesialt-jn" (Ged. P. 20).
Other illustrations in Eichendoi f are 263 : 11; 463 : 15; 490 : 12; 565: 5, 11, 17. Farther from the Volkslied, aUhough not uncommon there, is the treatment of the motive in such expressions as: „Das fiiischlein wiinscht es lage todt" (481 : 8), „Ich wollt' ich lag' im Meer" (659: 12), ,Weinen
...mocht' ich wie ein Kind" (302: 8j and „War' ich viel lieber todt" (489: 8), the extremes of which we find again in Heine.
The motives treating of the return of the lover, 3^ the joy of meeting and possession, so common in the folkft'jng, are seldom found in Eichendorff's poetiy. He can sing, as he says in „Fruhling und Liebe" („Der Poet", 478), a thousand songs of his love when she is far away, but when she is near his song must cease.
The close similarity in theme between Eichendorff's „Riick- kehr" 2 (264) and „Wrssernoth" (K.


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