The Master E.S. And the 'ars Moriendi'; a Chapter in the History of Engraving During the Xvth Century, With Facsimile Reproductions of Engravings in the University Galleries At Oxford And in the British Museum

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b. Bona Inspiratio Angeli contra Desperationem (Trost gegen Verzweiflung).
III. a. Temptatio Diaboli de Impatientia (Versuchung durch Ungeduld).
b. Bona Inspiratio Angeli de Patientia (Trost gegen die Versuchung durch Ungeduld).
IV. a. Temptatio Diaboli de Vana Gloria (Versuchung durch Hoffahrt).
b. Bona Inspiratio Angeli contra Vanam Gloriam (Eingebung der Demuth gegen die Hoffahrt).
V. a. Temptatio Diaboli de Avaritia (Versuchung durch Geiz).
b. Bona Inspiratio Angeli contra Avaritiam (Eingeb
...ung der Freigebigkeit gegen den Geiz).
THE ARS MORI EN DF n Leading up to No. VI, the final Triumph over all Temptations at the Hour of Death (Triumph fiber alle Versuchungen in der Todesstunde).
As stated before, the only complete set of these illustrations by The Master E. S. to the Ars Moriendi is that in the Douce Collection, now in the University Galleries at Oxford. A single example of No. I. a is in the royal Print Room at Berlin 1 , one of I. b in the British Museum, and one of II. b in the remarkable collection preserved in the castle of Wolfegg-Waldsee in South-west Bavaria.


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