The Masters of Ukioye; a Complete Historical Description of Japanese Paintings And Color Prints of the Genre School

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About 1785.
Large color print.
Three girls in the iris garden.
Lent by George W. Vanderbilt of New York.
It is but taking a step more for Kiyonaga to throw in a complete land- scape background. In this he realizes the fact that sunshine is indi- cated more by color than by light, in making the flat tone of his grass a firank yellow. The drawing of the iris is worthy of Korin ; the composition of the whole perfect ; and the coloring of unexampled richness.
This may perhaps be called the highest
...point reached by Kiyonaga.
74 242. KlYONAGA About 1785.
I*arge color print.
Same as preceding number.
Another experiment is made by using green on the grass. The colors are beautiful even in their faded condition.
243. KlYONAGA About 1785.
Kakemonoye.
Very tall standing girl.
In this unique figure, throwing aside almost all graces of form, of pat- tern, or of color, Kiyonaga, in his very simplicity, realizes some meas- ure of Harunobu's last sublimity. The sweetness of rendering the little green hanging fern ball is a last touch of refined feeling, which is rare with Kiyonaga.


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