The National Gallery London the Flemish School
The National Gallery London the Flemish School
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In our eReader you can find the full English version of the book. Read The National Gallery London the Flemish School Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The National Gallery London the Flemish School
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The place of Rubens is, amongst Flemish painters, so incomparably the most eminent, that to be certain that the spell he weaves is not too strong, one has, as I consider, in thought, to turn, not to his blemish pre- decessors — men as much unlike him in the extent as in the character of their talent, of their genius even : for patient genius the best of the early men xiv THE NATIONAL GALLERY— FLEMISH SCHOOL assuredly possessed — one has, I say, to turn, not to them at all, but to a Dutchman of ...Rubens' s day, the greatest Dutchman of all days- Rembrandt. Then it is that one perceives Rubens's deficiencies and limitations, along with his strength. Nature, with Rubens — the soul of Nature at least, whether disclosed by Landscape or Humanity — is never serre de pres! With a deep Nature, this giant of the brush, abandoned to the passion for material things, is not in touch, genuinely. He visits — in the garden of our Earth the flowers and the splendours, and he passes on. Rembrandt, meantime — his outward experiences sordid and small in comparison with those of the stately citizen of Antwerp, and of the world — has penetrated to the heart of things : has been the poet of the Jan Lutma, the psychologist of the Clement de Jonghe and of the Mere de Rembrandt au voile noir.
What to read after The National Gallery London the Flemish School?
You can find similar books in the "Read Also" column, or choose other free books by Frederick Wedmore to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The place of Rubens is, amongst Flemish painters, so incomparably the most eminent, that to be certain that the spell he weaves is not too strong, one has, as I consider, in thought, to turn, not to his blemish pre- decessors — men as much unlike him in the extent as in the character of their talent, of their genius even : for patient genius the best of the early men xiv THE NATIONAL GALLERY— FLEMISH SCHOOL assuredly possessed — one has, I say, to turn, not to them at all, but to a Dutchman of ...Rubens' s day, the greatest Dutchman of all days- Rembrandt. Then it is that one perceives Rubens's deficiencies and limitations, along with his strength. Nature, with Rubens — the soul of Nature at least, whether disclosed by Landscape or Humanity — is never serre de pres! With a deep Nature, this giant of the brush, abandoned to the passion for material things, is not in touch, genuinely. He visits — in the garden of our Earth the flowers and the splendours, and he passes on. Rembrandt, meantime — his outward experiences sordid and small in comparison with those of the stately citizen of Antwerp, and of the world — has penetrated to the heart of things : has been the poet of the Jan Lutma, the psychologist of the Clement de Jonghe and of the Mere de Rembrandt au voile noir.
What to read after The National Gallery London the Flemish School?
You can find similar books in the "Read Also" column, or choose other free books by Frederick Wedmore to read onlineMoreLess
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