The Open Court 22, No.622, C.1

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The first and most extensive treatment of the Faust legend is that of the Volksbiiclf^ which was dramatized by Marlowe, Shake- speare's famous contemporary. We here reproduce a rare print FAUST AND MEPHISTOPHELES.
(1620.) published as a title vignette in the first edition of Marlowe's drama representing Faust conjuring the Devil.
During the period of Storm and Stress almost every German poet treated the legend of Faust, and the best known of these versions is the drama by Klinger, a powerful pl
...ay, but not without the faults of the vigorous but immature spirits of this time. Lessing wrote a Faust which by an unfortunate accident was lost in the mails. A * For details of the Faust legend as treated by Marlowe and in the Volks- buch see the author's History of the Devil, pp. 422-429.
156 THE OPEN COURT, synopsis of his plan is ciMitaincd in his Collected Works. Lenau's Faust is not vcrv remarkable bnt it is still known and read.
THE LEGEND OF THEOPHILUS.
The motive of Faust's relation to Mephistopheles is taken from the old legend of Theophilus who in his ambition to excel all others THE SIGNIFICANCE OF GOETHE's FAUST.


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