The Orchestral Conductor
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In our eReader you can find the full English version of the book. Read The Orchestral Conductor Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Orchestral Conductor
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It is sufficient to markdownwards each beat of the _tempo di minuetto_:-- [Illustration] Once entered upon the combination, the little allegro in 3/8, of which awhole bar represents one-third, or one beat of that of the minuetto, andthe other allegro in 2/4, of which a whole bar represents two-thirds, ortwo beats, correspond with each other and with the principal theme; whilethe whole proceeds without the slightest confusion. All that is requisiteis to make them come in properly.
A gross fault ...that I have seen committed, consists in enlarging the timeof a piece in common-time, when the author has introduced into ittriplets of minims:-- [Illustration] In such a case, the third minim adds nothing to the duration of the bar, as some conductors seem to imagine. They may, if they please, and if themovement be slow or moderate, make these passages by beating the bar withthree beats, but the duration of the whole bar should remain preciselythe same. In a case where these triplets occur in a very quick bar incommon-time (allegro-assai), the three gestures then cause confusion, and it is absolutely necessary to make only two, --one beat upon the firstminim, and one upon the third.
What to read after The Orchestral Conductor?
You can find similar books in the "Read Also" column, or choose other free books by Berlioz, Hector, 1803-1869 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
It is sufficient to markdownwards each beat of the _tempo di minuetto_:-- [Illustration] Once entered upon the combination, the little allegro in 3/8, of which awhole bar represents one-third, or one beat of that of the minuetto, andthe other allegro in 2/4, of which a whole bar represents two-thirds, ortwo beats, correspond with each other and with the principal theme; whilethe whole proceeds without the slightest confusion. All that is requisiteis to make them come in properly.
A gross fault ...that I have seen committed, consists in enlarging the timeof a piece in common-time, when the author has introduced into ittriplets of minims:-- [Illustration] In such a case, the third minim adds nothing to the duration of the bar, as some conductors seem to imagine. They may, if they please, and if themovement be slow or moderate, make these passages by beating the bar withthree beats, but the duration of the whole bar should remain preciselythe same. In a case where these triplets occur in a very quick bar incommon-time (allegro-assai), the three gestures then cause confusion, and it is absolutely necessary to make only two, --one beat upon the firstminim, and one upon the third.
What to read after The Orchestral Conductor?
You can find similar books in the "Read Also" column, or choose other free books by Berlioz, Hector, 1803-1869 to read onlineMoreLess
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