The Oxford History of Music volume 6
The Oxford History of Music volume 6
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In our eReader you can find the full English version of the book. Read The Oxford History of Music volume 6 Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Oxford History of Music volume 6
What reading level is The Oxford History of Music volume 6 book?
To quickly assess the difficulty of the text, read a short excerpt:
'The catch in music, ' says Dr. Hayes, the editor of several sets of catches, 'answers to the epigram in poetry, where much is expressed within a very small compass, and unless the turn is neat and well pointed it is of little value. ' Like the round, the catch is a short Canone infinito in the unison or the octave, and the ' epigram matical touch ' is sought in the connexion of pointed words with the musical sounds.
1 Compare also PurcelPs catch in G minor, If aU 6e true that I do think, repri...nted in Samuel Webbe junior's Convito Armonico, p. 423.
VARIOUS WORKS BY OTHER MASTERS 303 A glee may be described as a sort of harmonic madrigal for three, four, five, or more male voices i. E. Combinations of alto, tenor, bass (with the occasional addition of a boy's treble), depending on the deft interweaving of vocal parts in which the contrapuntal element is usually more or less present 1 . Points are started and taken up, much as in the madrigal proper; indeed, though less persistently developed, they are more frequent than in the madrigal, and they are generally poetical points.
What to read after The Oxford History of Music volume 6?
You can find similar books in the "Read Also" column, or choose other free books by W H William Henry Hadow to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
'The catch in music, ' says Dr. Hayes, the editor of several sets of catches, 'answers to the epigram in poetry, where much is expressed within a very small compass, and unless the turn is neat and well pointed it is of little value. ' Like the round, the catch is a short Canone infinito in the unison or the octave, and the ' epigram matical touch ' is sought in the connexion of pointed words with the musical sounds.
1 Compare also PurcelPs catch in G minor, If aU 6e true that I do think, repri...nted in Samuel Webbe junior's Convito Armonico, p. 423.
VARIOUS WORKS BY OTHER MASTERS 303 A glee may be described as a sort of harmonic madrigal for three, four, five, or more male voices i. E. Combinations of alto, tenor, bass (with the occasional addition of a boy's treble), depending on the deft interweaving of vocal parts in which the contrapuntal element is usually more or less present 1 . Points are started and taken up, much as in the madrigal proper; indeed, though less persistently developed, they are more frequent than in the madrigal, and they are generally poetical points.
What to read after The Oxford History of Music volume 6?
You can find similar books in the "Read Also" column, or choose other free books by W H William Henry Hadow to read onlineMoreLess
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