The Practice of Typography : Correct Composition, a Treatise On Spelling, Abbreviations, the Compounding And Division of Words, the Proper Use of Figures And Numerals, Italic And Capital Letters, Notes, Etc., With Observations On Punctuation And Proof-Rea
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In our eReader you can find the full English version of the book. Read The Practice of Typography : Correct Composition, a Treatise On Spelling, Abbreviations, the Compounding And Division of Words, the Proper Use of Figures And Numerals, Italic And Capital Letters, Notes, Etc., With Observations On Punctuation And Proof-Rea Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Practice of Typography : Correct Composition, a Treatise On Spelling, Abbreviations, the Compounding And Division of Words, the Proper Use of Figures And Numerals, Italic And Capital Letters, Notes, Etc., With Observations On Punctuation And Proof-Rea
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To quickly assess the difficulty of the text, read a short excerpt:
nature of a category.
Bejedion of points in title-pages 289 nominative or an involved sentence is sometimes painfully apparent ; but a new point for this pur- pose would not lessen but increase the difficulties of punctuation.
The only new point or sign that is really needed (and that could not be misused) is a sign or mark for ditto in the catalogue matter of job-printers.
The inverted commas now in frequent use serve the purpose badly ; they are out of true line and mis- lead or annoy the eye... when they appear in solid composition between words, leaders, or figures.
The sign 4t used by all penmen is preferable to turned commas or to the abbreviation do.
TITLE-PAGES WITHOUT POINTS Book titles are now set without points— a fashion introduced by Pickering of London about 1850.
At that time it was customary to make one large display line of the leading words of the title, and to put a comma or a semicolon at its end. Condensed two -line type, then an admired novelty with other printers, was preferred for lines of display.
What to read after The Practice of Typography : Correct Composition, a Treatise On Spelling, Abbreviations, the Compounding And Division of Words, the Proper Use of Figures And Numerals, Italic And Capital Letters, Notes, Etc., With Observations On Punctuation And Proof-Rea?
You can find similar books in the "Read Also" column, or choose other free books by De Vinne, Theodore Low, 1828-1914 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
nature of a category.
Bejedion of points in title-pages 289 nominative or an involved sentence is sometimes painfully apparent ; but a new point for this pur- pose would not lessen but increase the difficulties of punctuation.
The only new point or sign that is really needed (and that could not be misused) is a sign or mark for ditto in the catalogue matter of job-printers.
The inverted commas now in frequent use serve the purpose badly ; they are out of true line and mis- lead or annoy the eye... when they appear in solid composition between words, leaders, or figures.
The sign 4t used by all penmen is preferable to turned commas or to the abbreviation do.
TITLE-PAGES WITHOUT POINTS Book titles are now set without points— a fashion introduced by Pickering of London about 1850.
At that time it was customary to make one large display line of the leading words of the title, and to put a comma or a semicolon at its end. Condensed two -line type, then an admired novelty with other printers, was preferred for lines of display.
What to read after The Practice of Typography : Correct Composition, a Treatise On Spelling, Abbreviations, the Compounding And Division of Words, the Proper Use of Figures And Numerals, Italic And Capital Letters, Notes, Etc., With Observations On Punctuation And Proof-Rea?
You can find similar books in the "Read Also" column, or choose other free books by De Vinne, Theodore Low, 1828-1914 to read onlineMoreLess
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