The Practice of Water-Colour Painting

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Therefore the worker must have at his command a technical device by which he can correct and amplify his paintings, and experience has taught Mr. Goodwin that the combination of washing out and stippling is the device that serves him best in emergencies.
He has found, too, that certain subjects which are very complex in colour or in gradation of atmo- spheric tone cannot be fully realised by pure wash alone, and that in these the necessary degree of refinement and variety can only be obtained b
...y stippling, judiciously regulated and combined with the work beneath.
There is one executive method frequently employed by Mr. Goodwin — a combination of 78 MR. ALBERT GOODWIN pen-line with water-colour wash — which claims particular mention. In his hands it is more than ordinarily expressive because he makes the com- bination with the same sensitiveness and delicacy that he displays in the other phases of his produc- tion. This manner of working has the advantage of rapidity and certainty, and is valuable for sketches which demand accuracy and yet have to be done against time — when the artist, for instance, is making only a brief stay in a district which presents him with a large number of subjects that he desires to record.


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