The Psychology of Drawing

Cover The Psychology of Drawing
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Purely Optical Process. This includes the fixation of the eye upon the object and the imaging of the object upon the retina.
2. Sensational Process. This embraces the pas- sive taking in of the specially disposed sensations of brightness, color, surface distributions, etc. It may also include the sensations of accompany- ing eye and hand movements.
3. Awakening of Percepts Which Tend to be Present and Apperception. The previously ac- quired percepts of similar sensation complexes which are at h
...and become actual. The object is grasped in consciousness, recognized, identified, and interpreted as the particular object present.
4. Assimilation. These apperceived ideas (3) assimilate immediately with the passively taken in impressions (2), causing them to become active in consciousness.
5. Secondary Reproduction of Earlier Associa- tions . Reproductions of formerly acquired con- cepts and judgments of similar appearing objects enter the mind. The conceptual activity devi- ates somewhat from the object present and other ideas enter the mind and assimilate with the objective impression.


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