The Psychology of Drawing Imagination And Expressionculture And Industry in Ed
The Psychology of Drawing Imagination And Expressionculture And Industry in Ed
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Idea itself. It is not the problem of the relation of a spiritual image to a physical organ of expression, but of one sort of imagery to another. While this perhaps is an unusual putting of the matter we must recognize that after all it is because the whole process is one of imagery that the problem is a soluble one in an educative sense.
If on one side the idea were alone a matter of the imagina- tion, and the technique were simply a matter of delicate and physi- cal control of the eye and the... muscle, we could get a genuine harmonizing of the two factors in the problem. We should be compelled simply to alternate from one side to the other, or to make the best compromise we could.
In saying that the side of technique is itself a matter of imag- ery I refer to what the psychologists term motor imagery, and to the well-known fact that imagery of all kinds has a tendency to 8 IMAGINATION AND EXPRESSION overflow in the motor channels, and that thus there is a continual tendency to reproduce through action and experience, or to put forth in expression whatever has been gained in impression and then to assimilate it into an idea.
What to read after The Psychology of Drawing Imagination And Expressionculture And Industry in Ed?
You can find similar books in the "Read Also" column, or choose other free books by Dewey, John, 1859-1952 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Idea itself. It is not the problem of the relation of a spiritual image to a physical organ of expression, but of one sort of imagery to another. While this perhaps is an unusual putting of the matter we must recognize that after all it is because the whole process is one of imagery that the problem is a soluble one in an educative sense.
If on one side the idea were alone a matter of the imagina- tion, and the technique were simply a matter of delicate and physi- cal control of the eye and the... muscle, we could get a genuine harmonizing of the two factors in the problem. We should be compelled simply to alternate from one side to the other, or to make the best compromise we could.
In saying that the side of technique is itself a matter of imag- ery I refer to what the psychologists term motor imagery, and to the well-known fact that imagery of all kinds has a tendency to 8 IMAGINATION AND EXPRESSION overflow in the motor channels, and that thus there is a continual tendency to reproduce through action and experience, or to put forth in expression whatever has been gained in impression and then to assimilate it into an idea.
What to read after The Psychology of Drawing Imagination And Expressionculture And Industry in Ed?
You can find similar books in the "Read Also" column, or choose other free books by Dewey, John, 1859-1952 to read onlineMoreLess
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