The Sacred Wood Essays On Poetry And Criticism

Cover The Sacred Wood Essays On Poetry And Criticism
The Sacred Wood Essays On Poetry And Criticism
T S Thomas Stearns Eliot
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The error in his portraiture is not the extravagant hocus-pocus of supposed Indian necromancers by which he is so easily duped, but the premature disclosure of villainy in his temptation of the two apprentices of his brother. But for this, he would be a perfect chameleon of circumstance. Here, again, we feel that Massinger was conscious only of i 129 The Sacred Wood inventing a rascal of the old simpler farce type. But the play is not a farce, in the sense in which The Jew of Malta^ The Alchemi...st^ Bartholomew Fair are farces. Massinger had not the personality to create great farce, and he was too serious to invent trivial farce. The ability to perform that slight distortion of all the elements in the world of a play or a story, so that this world is complete in itself, which was given to Marlowe and Jonson (and to Rabelais) and which is prerequisite to great farce, was denied to Massinger. On the other hand, his temperament was more closely related to theirs than to that of Shirley or the Restora- tion wits.

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