The Short Story Its Principles And Structure

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124 THE SHORT-STORY to have a compelling power over character and life. Inner conflicts have assumed greater importance and greater interest. The modern hero has something worse to fight than an evil world and selfish men he has the evil motives of his own heart arrayed against him. The stage of action in the story of character is not always the, great world of events : more often the real stage is behind the scenes. The great hero in fiction is no mere type, no trait personi- fied, no automato
...n predestined to go through certain movements to a certain goal, but a whole person, real and live; not wholly good and not wholly bad; complex, doubtful, problematic ; struggling, tempted, even sinning, it may be, but on the whole and in the end, conquering, a character interesting from start to finish in the process of becoming.
The heroine, like the hero, has descended from the lofty pinnacle where she was stationed by roman- ticism, and now frequents the common walks of life. The beautiful, clinging, swooning, weeping, blushing, hysterical young woman who has worn the halo of romance through many centuries has been ex- terminated by a process very like natural selection and survival of the fittest.


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