The Standard Symphonies: Their History, Their Music, And Their Composers; a ...
The Standard Symphonies: Their History, Their Music, And Their Composers; a ...
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In our eReader you can find the full English version of the book. Read The Standard Symphonies: Their History, Their Music, And Their Composers; a ... Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Standard Symphonies: Their History, Their Music, And Their Composers; a ...
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To quickly assess the difficulty of the text, read a short excerpt:
Colossal figures of counterpoint are combined with the most graceful motives, each thoroughly individual in character and all fitted to- gether in every variety of union, but never at the sacrifice of that grace and fancy for which Mozart is so conspicuous. The first theme is an old church- music phrase which was a favorite with him : — The second theme is announced at once : — At its close the first is treated as a five-part fugue, after which the third theme appears on the violins : 200 THE S...TANDARD SYMPHONIES.
The fourth theme enters in graceful fashion : These are the materials which Mozart elaborates with marvellous skill. As the development pro- ceeds he inverts the second theme, giving a fresh melodic subject, which enters into the combination as clearly and individually as its companions. Thus on into the Coda, which again reveals the masterly skill of the composer and the ease with which he treated the most intricate contrapuntal difficulties.
It is not necessary to follow the progress in detail, for in spite of all its complications the movement will always commend itself to the hearer by its smooth, flowing character, showing that however difficult these ingenious and elaborate contrivances may seem they did not exist as difficulties to the composer, but were only used as symbols to express the glowing, animated picture which occupied his thoughts.
What to read after The Standard Symphonies: Their History, Their Music, And Their Composers; a ...?
You can find similar books in the "Read Also" column, or choose other free books by Upton George Putnam to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Colossal figures of counterpoint are combined with the most graceful motives, each thoroughly individual in character and all fitted to- gether in every variety of union, but never at the sacrifice of that grace and fancy for which Mozart is so conspicuous. The first theme is an old church- music phrase which was a favorite with him : — The second theme is announced at once : — At its close the first is treated as a five-part fugue, after which the third theme appears on the violins : 200 THE S...TANDARD SYMPHONIES.
The fourth theme enters in graceful fashion : These are the materials which Mozart elaborates with marvellous skill. As the development pro- ceeds he inverts the second theme, giving a fresh melodic subject, which enters into the combination as clearly and individually as its companions. Thus on into the Coda, which again reveals the masterly skill of the composer and the ease with which he treated the most intricate contrapuntal difficulties.
It is not necessary to follow the progress in detail, for in spite of all its complications the movement will always commend itself to the hearer by its smooth, flowing character, showing that however difficult these ingenious and elaborate contrivances may seem they did not exist as difficulties to the composer, but were only used as symbols to express the glowing, animated picture which occupied his thoughts.
What to read after The Standard Symphonies: Their History, Their Music, And Their Composers; a ...?
You can find similar books in the "Read Also" column, or choose other free books by Upton George Putnam to read onlineMoreLess
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