The Supernatural in Modern English Fiction

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The younger son loses his vitality, his mind, his personality, all of which is supermortally given to his older brother, while the deprived son dies a drivel- ling idiot of sheer inertia and utter absence of vital power. Mary Heaton Vorse'^ describes a neurotic woman who comes back from the grave to obsess and possess the interloper in her home, through the immortal force of her jealousy, making the living woman actually become the ' Other stories of double personality are The Ivory Gate, by Wa...lter Besant; The Man with a Shadow, by George M. Fenn; The Jolly Corner, by Henry James; The Transferred Ghost, by Prank R. Stockton; On the Stairs, by Katharine Pullerton Gerould; Elixire des Teufels, by E. T. A. Hoffmann; Howe's Masquerade, by Hawthorne; The Recent Carnival of Crime in Con- necticutt, by Mark Twain; The Queen of Sheba, by Thomas Bailey Aldrich; The Doppelgdnger, by Elizabeth Bisland Wetmore.
Georg Brandes, in his article, "Romantic Reduplication and Psychology," in Main Currents of Nineteenth Century Literature, points out the preva- lence of this motif in German fiction.


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