The Technique of the One Act Play a Study in Dramatic Construction
The Technique of the One Act Play a Study in Dramatic Construction
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In our eReader you can find the full English version of the book. Read The Technique of the One Act Play a Study in Dramatic Construction Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Technique of the One Act Play a Study in Dramatic Construction
What reading level is The Technique of the One Act Play a Study in Dramatic Construction book?
To quickly assess the difficulty of the text, read a short excerpt:
In ever keeping in mind what the present situation may possibly bring forth in the future, the audience thereby associates the one point with the other Middle of the One- Act Play 181 and therefore blends the two together. Because suspense is a stirring of present interest coupled with a strong sense that a climactic situation or incident is approaching, the nature of which one strongly wishes to learn, it is, accordingly, a most effective means of blending.
The playwright must not confuse susp...ense with surprise. Mere surprise is, on the whole, to be avoided in dramatic work. Surprise is that which is wholly accidental, and entirely unlooked for; it happens without any warning or without any apparent cause. There can be no interest in anything that one does not know is going to happen ; and since one does not know that it is going to happen, one cannot possibly be interested in its possible outcome — there can be no sense of suspense. Suspense is expectancy mingled with uncertainty : one does not know the exact outcome but is sure that one kind of result or another will ultimately ac- crue.
What to read after The Technique of the One Act Play a Study in Dramatic Construction?
You can find similar books in the "Read Also" column, or choose other free books by B Roland Benjamin Roland Lewis to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
In ever keeping in mind what the present situation may possibly bring forth in the future, the audience thereby associates the one point with the other Middle of the One- Act Play 181 and therefore blends the two together. Because suspense is a stirring of present interest coupled with a strong sense that a climactic situation or incident is approaching, the nature of which one strongly wishes to learn, it is, accordingly, a most effective means of blending.
The playwright must not confuse susp...ense with surprise. Mere surprise is, on the whole, to be avoided in dramatic work. Surprise is that which is wholly accidental, and entirely unlooked for; it happens without any warning or without any apparent cause. There can be no interest in anything that one does not know is going to happen ; and since one does not know that it is going to happen, one cannot possibly be interested in its possible outcome — there can be no sense of suspense. Suspense is expectancy mingled with uncertainty : one does not know the exact outcome but is sure that one kind of result or another will ultimately ac- crue.
What to read after The Technique of the One Act Play a Study in Dramatic Construction?
You can find similar books in the "Read Also" column, or choose other free books by B Roland Benjamin Roland Lewis to read onlineMoreLess
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