The Three Cities Trilogy: Paris, volume 4

Cover The Three Cities Trilogy: Paris, volume 4
The Three Cities Trilogy: Paris, volume 4
Zola Émile
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For nearly a couple of hours the publicprosecutor continued in this fashion, throwing truth and logic to thewinds, and exclusively striving to alarm his hearers. He made allpossible use of the terror which had reigned in Paris, and figurativelybrandished the corpse of the poor little victim, the pretty errand girl, as if it were a blood-red flag, before pointing to the pale hand, preserved in spirits of wine, with a gesture of compassionate horrorwhich sent a shudder through his audience. And h...e ended, as he had begun, by inspiriting the jurors, and telling them that they might fearlessly dotheir duty now that those at the head of the State were firmly resolvedto give no heed to threats.
Then the young advocate entrusted with the defence in his turn spoke. Andhe really said what there was to say with great clearness and precision. He was of a different school from that of the public prosecutor: hiseloquence was very simple and smooth, his only passion seemed to be zealfor truth. Moreover, it was sufficient for him to show Salvat's career inits proper light, to depict him pursued by social fatalities since hischildhood, and to explain the final action of his career by all that hehad suffered and all that had sprung up in his dreamy brain.


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