Thirty Years of Paris And of My Literary Life;

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Behold M. Patin, the illus- trious M. Patin, jirofessor at the Sorbonne, playing the young man over there, in the left- hand corner by the window. He is a little man, with white hair smartly curled, and of a discreet friskiness suited to a pedant of the First Empire. Then there is Viennet, the Voltairian M'riter of fables, long and spare as the crane of his own dry fables. The divinity of the salon, admired and petted by all, sur- rounded by a crowd of worshippers, was Alfred de Vigny, great po...et indeed, but great poet of yet another epoch, looking eccentric and obsolete with his angelic airs and scattered white locks, too long for his diminutive figure.
Alfred de Vigny had, when dying, bequeathed his parrokeet to Madame Ancelot. The par- rokeet, on a gilt perch, took the place of 96 Thirty Years of Paris.
honour in the middle of the room, and the old habitues stuffed it with good things, for was it not the parrot of de Vigny ? Some profane jesters nicknamed it "Eloa," on account of its great beak and its profound eye.


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