Three Symphonies of Daniel Gregory Mason: Style-Critical And Theoretical Analyses

Cover Three Symphonies of Daniel Gregory Mason: Style-Critical And Theoretical Analyses
Three Symphonies of Daniel Gregory Mason: Style-Critical And Theoretical Analyses
Kapec, David Neal
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Style-Critical and Theoretical Descriptive Analyses The First Symphony in C minor is scored for a traditional orchestra of flutes, oboes, English horn, clarinets in Bb, bass clarinet in Bb, bassoons, horns in F, trumpets in C, trombones, tuba, kettle, snare, and bass drums, cymbals, triangle, glockenspiel, harp, violins, violas, violoncellos, and basses. The three movement symphony is dedicated to Edward G. de Coppet, who assisted Mason financially when the composer travelled abroad to study wi
...th d'Indy. One of Mason's original drafts contained four movements; however, he extracted it for a completely separate work. This was indeed desirable from the listener's point of -48- view because the three movements alone make it a lengthy performance.
Perhaps Mason was influenced by Beethoven's choice of removing the Gvosse Fugue from the Tatter's opus 132 string quartet. The following section presents detailed descriptive analysis by movement.
First Movement, Largo sostenuto The movement opens with the flutes and clarinets presenting a descending chromatic antecedent phrase in three-four meter (see Example No.


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