Two Phases of Criticism, Historical And Aesthetic : Lectures Delivered On the Larwill Foundation of Kenyon College, May Seventh And Eighth, 1913

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I remember once, years ago, when I was myself a student, meeting on a western train out of Buffalo a clergyman who kindly engaged me in conversation ; and I, be- ing but a boy, repaid his interest by flooding him with my enthusiasms for George Eliot and Scott , who happened to be then my ascendant stars.
I recall well his final reply, — ' ' Young man, ' ' he said, " I never readanything that is n't true. " What an inhibition that was, in his literary and artistic career ! I have since wondered
...if he found much to read. Ideal truth, as you perceive, had never dawned upon his mind, — and that is the finer and happier part of truth. The preju- dice of the early New England church against the theatre is a curious instance of an inhibition 46 AESTHETIC CRITICISM that rendered nugatory a great historic branch of art, the drama ; and it is the more singular, viewed as a religious phenomenon, because of the great place the drama held in religion itself in Catholic countries and especially in medi- aeval times.

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