Unfigured Harmony a Short Treatise On Modulation Harmonization of Melodies Un
Unfigured Harmony a Short Treatise On Modulation Harmonization of Melodies Un
Percy Carter Buck
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Consequently between the first bar and the last there should never be a full close in the original key, and not more than can be avoided the chord of the key-note in its original position. In Ex. 35 a really bad version is given of what is adequately done in Ex. 36. Ex. 35. (Bad. ) ~ "=i Ex. 36. (7) Beware of crowding in too many notes. A melody with semiquavers is a certain trap for the unwary. ' Thick ' writing 3 2 ELEMENTARY HARMONIZATION is always inexpert and unmusical, and is a cardinal f...ault with organists. A little attention given to writing in three parts is sure to produce a knowledge of how much may be left out : Ex. 37. i=E : ==^L jE^E (8) If the melody halts appreciably on any note, then is the time for the accompanying parts to move (Ex. 38) ; and such movement should be interesting and melodic on its own account, not merely a succession of chords which harmonize the melody- note. Vice versa, if there is any marked movement in the melody, the accompanying parts should provide the necessary repose (Ex.
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