University Musical Encyclopedia volume 1
University Musical Encyclopedia volume 1
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In our eReader you can find the full English version of the book. Read University Musical Encyclopedia volume 1 Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book University Musical Encyclopedia volume 1
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P. Rameau (1683-1764). His first "Book of Pieces for the Clavecin" came out in 1706. The plan of his suites is much the same as Couperin's, comprising a few solid movements at the beginning and a number of lively tunes and rondos in the latter part. There is even more directness and point about some of Ra- meau's picture-tunes than Couperin's, and the connec- tion with the stage is more obvious, inasmuch as some of those which are still familiar to modern pianists ap- pear also as ballet pieces... in his operas.
Before the end of the sixteenth century organs had arrived at a fairly complete state. It was natural that the associations of the organ should cause organists to imitate choral works in their compositions ; and they improved upon them first by introducing a great variety of turns and runs and ornaments. These ultimately developed into a special kind of composition, some- what like the products of extemporization, consisting mainly of runs, accompanied by simple successions of chords.
What to read after University Musical Encyclopedia volume 1?
You can find similar books in the "Read Also" column, or choose other free books by Elson, Louis Charles, 1848-1920 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
P. Rameau (1683-1764). His first "Book of Pieces for the Clavecin" came out in 1706. The plan of his suites is much the same as Couperin's, comprising a few solid movements at the beginning and a number of lively tunes and rondos in the latter part. There is even more directness and point about some of Ra- meau's picture-tunes than Couperin's, and the connec- tion with the stage is more obvious, inasmuch as some of those which are still familiar to modern pianists ap- pear also as ballet pieces... in his operas.
Before the end of the sixteenth century organs had arrived at a fairly complete state. It was natural that the associations of the organ should cause organists to imitate choral works in their compositions ; and they improved upon them first by introducing a great variety of turns and runs and ornaments. These ultimately developed into a special kind of composition, some- what like the products of extemporization, consisting mainly of runs, accompanied by simple successions of chords.
What to read after University Musical Encyclopedia volume 1?
You can find similar books in the "Read Also" column, or choose other free books by Elson, Louis Charles, 1848-1920 to read onlineMoreLess
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