Wagner's Music-Dramas Analyzed, With the Leading Motives; Niebelung; Tristan; Mastersingers; Parsifal

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2-4) ; the Day Motive being followed by a phrase whose eager, restless measures graphically reflect the impatience with which Isolde awaits the coming of Tristan — the Motive of Impa- tience : 10.
^ff— f :SL_^S^,_*.S^_^S: -^■'- -:;g.
It ^SzEgn^^OP r =^=^g= =El= ^E^agE^ rzgzEgEg:^ k:zz:jp :SB= ;s TRISTAX AXD ISOLDE.
123 Over this there hovers (p. 85, 1. 7, b. 1, &c.) a dulcet, seductive strain, the Motive of the Love Call : which is developed, after we have heard a variant of the Isolde Motive f
...amiliar from the first act (p. 86, 1.
2, b. 3, &c.) into the rapturous measures of the Mo- tive OF Ecstasy : 12. ^ 12i WAGNER'S MUSIC DRAMAS.
These phrases having been repeated in the following order — Love Call, Isolde Motive, Motive of Ecstasy and Love Call — the curtain rises.
The scene of this act is the garden into which Isolde s apartment opens. It is a lovely summer night.
Upon the steps leading to Isolde s apartment stands Brangäne looking in the direction from which hunting horns are heard.


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