Wagner's Music-Dramas Analyzed, With the Leading Motives; Niebelung; Tristan; Mastersingers; Parsifal
The book Wagner's Music-Dramas Analyzed, With the Leading Motives; Niebelung; Tristan; Mastersingers; Parsifal was written by author Kobbé Gustav Here you can read free online of Wagner's Music-Dramas Analyzed, With the Leading Motives; Niebelung; Tristan; Mastersingers; Parsifal book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Wagner's Music-Dramas Analyzed, With the Leading Motives; Niebelung; Tristan; Mastersingers; Parsifal a good or bad book?
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2-4) ; the Day Motive being followed by a phrase whose eager, restless measures graphically reflect the impatience with which Isolde awaits the coming of Tristan — the Motive of Impa- tience : 10. ^ff— f :SL_^S^,_*.S^_^S: -^■'- -:;g. It ^SzEgn^^OP r =^=^g= =El= ^E^agE^ rzgzEgEg:^ k:zz:jp :SB= ;s TRISTAX AXD ISOLDE. 123 Over this there hovers (p. 85, 1. 7, b. 1, &c.) a dulcet, seductive strain, the Motive of the Love Call : which is developed, after we have heard a variant of the Isolde Motive f...amiliar from the first act (p. 86, 1. 2, b. 3, &c.) into the rapturous measures of the Mo- tive OF Ecstasy : 12. ^ 12i WAGNER'S MUSIC DRAMAS. These phrases having been repeated in the following order — Love Call, Isolde Motive, Motive of Ecstasy and Love Call — the curtain rises. The scene of this act is the garden into which Isolde s apartment opens. It is a lovely summer night. Upon the steps leading to Isolde s apartment stands Brangäne looking in the direction from which hunting horns are heard.
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