What We Hear in Music a Laboratory Course of Study in Music History And Appreci
What We Hear in Music a Laboratory Course of Study in Music History And Appreci
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To quickly assess the difficulty of the text, read a short excerpt:
The second? What quality is used? What voices do you hear in the third? Which is an example of "concerted" writing? Which selection is imitative?
CHORUSES Inflammatus, ' ' Stabat Mater ' ' ( Rossini ) .
Hark, Hear the Drums Beat, "The Barber of Seville" (Rossini).
Swiss Battle Song, "William Tell" (Rossini).
200 The Opera Lesson XI The French Grand Opera — Donizetti and 'Bellini We have found that with the rise of Romanticism in France, there appeared but one great genius, who was a native Fren...chman, Hector Berlioz (1803-1869). Berlioz exerted his greatest influence, however, over the instrumental school, and, although he wrote several operas, they were entirely overshadowed by the popularity of his Italian rivals.
The early days of the Empire, under Louis Philippe and the establishment of the French Grand Opera, attracted to the French Court, once more, all the greatest opera com- posers of the world. The influence of the Revolution had left a marked impression on the public taste of the Parisians of this period.
What to read after What We Hear in Music a Laboratory Course of Study in Music History And Appreci?
You can find similar books in the "Read Also" column, or choose other free books by Anne Faulkner Oberndorfer to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The second? What quality is used? What voices do you hear in the third? Which is an example of "concerted" writing? Which selection is imitative?
CHORUSES Inflammatus, ' ' Stabat Mater ' ' ( Rossini ) .
Hark, Hear the Drums Beat, "The Barber of Seville" (Rossini).
Swiss Battle Song, "William Tell" (Rossini).
200 The Opera Lesson XI The French Grand Opera — Donizetti and 'Bellini We have found that with the rise of Romanticism in France, there appeared but one great genius, who was a native Fren...chman, Hector Berlioz (1803-1869). Berlioz exerted his greatest influence, however, over the instrumental school, and, although he wrote several operas, they were entirely overshadowed by the popularity of his Italian rivals.
The early days of the Empire, under Louis Philippe and the establishment of the French Grand Opera, attracted to the French Court, once more, all the greatest opera com- posers of the world. The influence of the Revolution had left a marked impression on the public taste of the Parisians of this period.
What to read after What We Hear in Music a Laboratory Course of Study in Music History And Appreci?
You can find similar books in the "Read Also" column, or choose other free books by Anne Faulkner Oberndorfer to read onlineMoreLess
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