Women in the Fine Arts, From the Seventh Century B.C. to the Twentieth Century A.D.

Cover Women in the Fine Arts, From the Seventh Century B.C. to the Twentieth Century A.D.
Women in the Fine Arts, From the Seventh Century B.C. to the Twentieth Century A.D.
National American Woman Suffrage Association Collection (Library of Congress) Dlc [from Old Catalog]
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The figure is as rigid as the other is supple; it is frightfully immovable — ^and yet the drawing is not exaggerated in its firmness.
Certainly these contrasting pictures witness to the skill of the artist. Without doubt the last is by far the most difficult, but Mme. Golay has known how to conquer its obstacles.
A third picture by this artist in the exhibition is called the "Abundance of Spring." Mme. Golay's reputation as a flower painter has been so long established that one need not dwell o
...n the excellence of the work. A writer in the Geneva Tribune exclaims : " One has never seen more brilliant peonies, more vigorous or finer branches of lilacs, or iris more delicate and distinguished. How they breathe — how they live — ^how they smile — these ephemeral blossoms ! " GonzaleZi Iiids. Member of the Academy San Carlos of Valencia. In the expositions of 1845 and 1846 in that city she was represented by several miniatures, one of which, " Dido," was much admired. Another — the por- trait of the Baron of Santa Barbara — ^was acquired by Digitized by Googk 148 WOMEN IN THE FINE ARTS the Economic Society of Valencia.

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