Art And I

Cover Art And I
Art And I
C Lewis Charles Lewis Hind
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256 Art and I any group of artists who are alive to the modern movement (I mean in those studio talks when men blurt out what they really think and feel) does a mention of El Greco send them foraging in port- folios and scrapbooks; and when the things are found, holding them up with expressive move- ments of the thumb, with the lighting of the eyes, and the uplifting of the artistic consciousness, that is so much more effective than words. I admit that it needs some art education t
...o ap- preciate El Greco. It is easy to say much against him — the fatal word Baroque, his melodrama, his rhetoric, his apparent carelessness, his repetitions, his exaggerated religiosity. Portraits and religious pictures sum up his ceuvre, and the religiosity of Spain in the late sixteenth and early seventeenth centuries is something very alien to the modern mind.
Other painters of his time had the Baroque temper- ament, and the rhetorical flourish, such men as Caravaggio, and Bassano; but El Greco stands away from them — isolated, apart.


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