Bulletin Krannert Art Museum volume 2 No 1 1976

Cover Bulletin Krannert Art Museum volume 2 No 1 1976
Bulletin Krannert Art Museum volume 2 No 1 1976
Krannert Art Museum
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C. , and the portrait of Pierre Quthe (Fig. 9) in the Louvre, Paris. A third work, the portrait of Charles IX (Fig. 10) in the Kunsthistorisches Museum, Vienna, bears an ancient signature that many scholars also believe to be that of Frangois Clouet.^" It is from these few works that one is left the task of reconstructing the style and development of the portraiture of the Clouets.
The fame achieved by Frangois Clouet and his father was due to several factors. Their great talent as artists was
...certainly the most important; but the increased prestige of portraiture under Francis I and later Catherine de Medici also must be considered a factor that contributed to their fame.
Other Portraitists The Clouets were not the only portrait painters in France nor were they the first. In the fifteenth century there was Jean Fouquet, an artist born around 1415, who probably met the famous Limbourg brothers while working at the court of Jean Due de Berri.^i In 1445, after traveling to Rome to paint the portrait of Pope Eugene IV, Jean Fouquet was appointed painter and illuminator to Charles VII and Louis XI.


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