Handwork As An Educational Medium

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The multitudinous co-ordina- 95 96 HANDWORK AS AN EDUCATIONAL MEDIUM tions of which the fine lingual and manual muscles are capable, render the vista of im- provement indefinitely wide and extensive. The possibilities are practically inexhaustible. Never does one come to the end of the tether in acquir- ing! skill in speech and handcraft. The man who is fluent in many languages is inarticulate in many more. The wonderful hand of Velasquez would falter on the harp, and Rubinstein would bungle at... a picture. As media of instruction speech and handwork cannot be surpassed. But there are cogent reasons for regarding the hand as in some respects a more important instrument for mental development than the tongue. Speech comes comparatively late, and takes no part in forming the earliest impressions on the child's mind. But his hand has been active from the day of his birth. It is probably the first sense organ that is brought into use, for during the first few weeks of his life neither his eyes nor his ears are of any service to him.

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