Lorenzo Lotto; An Essay in Constructive Art Criticism

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The predelle are obviously by Cariani.
The modelling and the vehicle in the following portrait, as well as the colour scheme, are identical with what we have found in these last two works : Digitized by VjOOQIC 2 1 8 * ' The Bergamask Period. *' [1527 Vienna, Imperial Gallery, No. 274, Portrait OF A Man. V f: A man of about thirty-five, with light brown hair, and short beard, leans against a table covered with green, holding his R. hand against his breast, and in his L. a golden claw. He stands
... in front of a scar- let curtain, and wears a flowing dark mantle. The pose and gesture suggest Lotto's portrait of OdonL It is characteristic of Lotto to make us feel, as he does in this splendid portrait, that we know the pre- cise measure of the sitter's pulse and just how he draws breath.
On canvas, 98 cm. h., 76 cm. w., life-size, knee length. "' Photographed by Lowy, Vienna.
I am inclined to think that the portrait of Odoni was painted after the above works, because the lights and shadows are treated more subtly.


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