Production And Direction of Radio Programs
Production And Direction of Radio Programs
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In our eReader you can find the full English version of the book. Read Production And Direction of Radio Programs Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Production And Direction of Radio Programs
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New tempos! The author's RADIO DRAMA COMES OF AGE words pass the actors' lips and reach the listener in the furthest outpost the instant they are spoken. New thresholds of sound! The softest whisper may be heard. Words that fly with such speed must be chosen carefully. Words in the air are spent just as they fall. And they must be words strong enough to stand alone. Unassisted by facial ex- pression and gesture, accompanied only by suggested action, the syllables themselves must bear the weight... of thought. In writing for radio it must be taken into consideration that the vast unseen audience partakes separately of the play. Listeners do not take contagion from each other, nor feel the surge of emo- tion that often runs through the pit and gallery of a crowded theatre. Authors for the stage count on this. The radio drama- tist cannot. His million hearers cannot amplify effects. Any complete discussion on writing for radio must necessarily be a book and not a chapter. In these pages I merely write from the point of view of one who has an experience with the direction of the written dramas that come into his hands and with the general pertinence of writing as it relates to production in the theatre of the air.
What to read after Production And Direction of Radio Programs?
You can find similar books in the "Read Also" column, or choose other free books by John Snyder Carlile to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
New tempos! The author's RADIO DRAMA COMES OF AGE words pass the actors' lips and reach the listener in the furthest outpost the instant they are spoken. New thresholds of sound! The softest whisper may be heard. Words that fly with such speed must be chosen carefully. Words in the air are spent just as they fall. And they must be words strong enough to stand alone. Unassisted by facial ex- pression and gesture, accompanied only by suggested action, the syllables themselves must bear the weight... of thought. In writing for radio it must be taken into consideration that the vast unseen audience partakes separately of the play. Listeners do not take contagion from each other, nor feel the surge of emo- tion that often runs through the pit and gallery of a crowded theatre. Authors for the stage count on this. The radio drama- tist cannot. His million hearers cannot amplify effects. Any complete discussion on writing for radio must necessarily be a book and not a chapter. In these pages I merely write from the point of view of one who has an experience with the direction of the written dramas that come into his hands and with the general pertinence of writing as it relates to production in the theatre of the air.
What to read after Production And Direction of Radio Programs?
You can find similar books in the "Read Also" column, or choose other free books by John Snyder Carlile to read onlineMoreLess
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