The American History And Encyclopedia of Music .. V. 9
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In our eReader you can find the full English version of the book. Read The American History And Encyclopedia of Music .. V. 9 Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The American History And Encyclopedia of Music .. V. 9
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In canon the principal part is imitated by all the other parts throughout the composition ; in a fugue, while the subject is imitated, and often one or more of the accompanying counterpoints to the various imitations of the FUGUE 135 subject are themselves imitated, the continuous and exact repetition of one part by another throughout the whole work is rarely found.
As we proceed with the study of fugue we shall find certain features in common with the canon but worked out only to a brief exten...t.
In as few paragraphs as possible we will now try to give a conception of the meaning of fugue as applied to musical composition, with a general idea of its construction.
Fugue is a French word derived from the Latin, fugare, to put to flight, and that from the Greek, fugere, meaning to flee. The significance of the title becomes clear to us as we follow the construction of a fugal composition.
It is a flight of melodies, one part entering, a second taking up the theme, another and another following until all have entered.
What to read after The American History And Encyclopedia of Music .. V. 9?
You can find similar books in the "Read Also" column, or choose other free books by Dickinson, Edward, 1853-1946 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
In canon the principal part is imitated by all the other parts throughout the composition ; in a fugue, while the subject is imitated, and often one or more of the accompanying counterpoints to the various imitations of the FUGUE 135 subject are themselves imitated, the continuous and exact repetition of one part by another throughout the whole work is rarely found.
As we proceed with the study of fugue we shall find certain features in common with the canon but worked out only to a brief exten...t.
In as few paragraphs as possible we will now try to give a conception of the meaning of fugue as applied to musical composition, with a general idea of its construction.
Fugue is a French word derived from the Latin, fugare, to put to flight, and that from the Greek, fugere, meaning to flee. The significance of the title becomes clear to us as we follow the construction of a fugal composition.
It is a flight of melodies, one part entering, a second taking up the theme, another and another following until all have entered.
What to read after The American History And Encyclopedia of Music .. V. 9?
You can find similar books in the "Read Also" column, or choose other free books by Dickinson, Edward, 1853-1946 to read onlineMoreLess
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