The Ballad Literature And Popular Music of the Olden Time : a History of the Ancient Songs, Ballads, And of the Dance Tunes of England, With Numerous Anecdotes And Entire Ballads : Also a Short Account of the Minstrels
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In our eReader you can find the full English version of the book. Read The Ballad Literature And Popular Music of the Olden Time : a History of the Ancient Songs, Ballads, And of the Dance Tunes of England, With Numerous Anecdotes And Entire Ballads : Also a Short Account of the Minstrels Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Ballad Literature And Popular Music of the Olden Time : a History of the Ancient Songs, Ballads, And of the Dance Tunes of England, With Numerous Anecdotes And Entire Ballads : Also a Short Account of the Minstrels
In our eReader you can find the full English version of the book. Read The Ballad Literature And Popular Music of the Olden Time : a History of the Ancient Songs, Ballads, And of the Dance Tunes of England, With Numerous Anecdotes And Entire Ballads : Also a Short Account of the Minstrels Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Ballad Literature And Popular Music of the Olden Time : a History of the Ancient Songs, Ballads, And of the Dance Tunes of England, With Numerous Anecdotes And Entire Ballads : Also a Short Account of the Minstrels
What reading level is The Ballad Literature And Popular Music of the Olden Time : a History of the Ancient Songs, Ballads, And of the Dance Tunes of England, With Numerous Anecdotes And Entire Ballads : Also a Short Account of the Minstrels book?
To quickly assess the difficulty of the text, read a short excerpt:
; The true tears fell from him would have melted the stones, Sing, &c.
Come, all you forsaken, and mourn you with me. Sing, &c. ; Who speaks of a false love, mine's falser than she, &c.
Let love no more boast her in palace nor bower. Sing, &c. ; It buds, but it blasteth ere it be a flower, &c.
Though, fair, and more false, 1 die with thy wound, Sing, &c. ; Thou hast lost the truest lover that goes upon the ground, &c.' Let nobody chide her, her scorns I approve [though I prove] ; She wag born t...o be false, and I to die for her love, &c.
Take this for my ferewell and latest adieu. Sing, &c. ; Write this on my tomb, that in love I was true, &c.
The above copy of the words is from the same manuscript as the music. It differs from that in Percy's Reliques of Ancient Poetry ; and Shakespeare has somewhat varied it to apply to a female character.
WHOOP! DO ME NO HARM, GOOD MAN.
This is twice alluded to by Shakespeare, in act iv., sc. 3, of A Winter's Tale ; and by Ford, in act iii., sc. 3, of The Fancies chaste and nolle, where Secco, applying it to Morosa, sings " Whoop !
What to read after The Ballad Literature And Popular Music of the Olden Time : a History of the Ancient Songs, Ballads, And of the Dance Tunes of England, With Numerous Anecdotes And Entire Ballads : Also a Short Account of the Minstrels?
You can find similar books in the "Read Also" column, or choose other free books by W William Chappell to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
; The true tears fell from him would have melted the stones, Sing, &c.
Come, all you forsaken, and mourn you with me. Sing, &c. ; Who speaks of a false love, mine's falser than she, &c.
Let love no more boast her in palace nor bower. Sing, &c. ; It buds, but it blasteth ere it be a flower, &c.
Though, fair, and more false, 1 die with thy wound, Sing, &c. ; Thou hast lost the truest lover that goes upon the ground, &c.' Let nobody chide her, her scorns I approve [though I prove] ; She wag born t...o be false, and I to die for her love, &c.
Take this for my ferewell and latest adieu. Sing, &c. ; Write this on my tomb, that in love I was true, &c.
The above copy of the words is from the same manuscript as the music. It differs from that in Percy's Reliques of Ancient Poetry ; and Shakespeare has somewhat varied it to apply to a female character.
WHOOP! DO ME NO HARM, GOOD MAN.
This is twice alluded to by Shakespeare, in act iv., sc. 3, of A Winter's Tale ; and by Ford, in act iii., sc. 3, of The Fancies chaste and nolle, where Secco, applying it to Morosa, sings " Whoop !
What to read after The Ballad Literature And Popular Music of the Olden Time : a History of the Ancient Songs, Ballads, And of the Dance Tunes of England, With Numerous Anecdotes And Entire Ballads : Also a Short Account of the Minstrels?
You can find similar books in the "Read Also" column, or choose other free books by W William Chappell to read onlineMoreLess
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