The Essentials of Illustration a Practical Guide to the Reproduction of Drawing
The Essentials of Illustration a Practical Guide to the Reproduction of Drawing
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In our eReader you can find the full English version of the book. Read The Essentials of Illustration a Practical Guide to the Reproduction of Drawing Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Essentials of Illustration a Practical Guide to the Reproduction of Drawing
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A line reproduction of a drawing by Miss Janet Robertson.
60 DRAWING WITH WHITE INK proved excellent at the time ; the drawings, however, subsequently turned dark brown owing to the fact that the basis of the paint was apparently a compound of silver. The top part of the drawing (Fig. I6), shewing the general morphology of the plant, was drawn with a brush Fig. 17. Fucus volubiltSy var FlexuosuSy a seaweed. (From a drawing by Miss Baker. ) charged with white ink upon a black ground. In the simp...lest possible way relief has been obtained by repre- senting the leaflets of the nearer fronds by white spaces, whilst those further away are represented by white out- lines. An enlargement of a frond is shewn on the lower part of the picture, and here the parts are represented in black on a white ground. The leaflets are in black outline 61 RELIEF PRINTING and the fruits are made to stand out, as in the upper part, by the use of local colour — in this instance black — their shape being indicated by the curve of the higher lights.
What to read after The Essentials of Illustration a Practical Guide to the Reproduction of Drawing?
You can find similar books in the "Read Also" column, or choose other free books by Thomas George Hill to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
A line reproduction of a drawing by Miss Janet Robertson.
60 DRAWING WITH WHITE INK proved excellent at the time ; the drawings, however, subsequently turned dark brown owing to the fact that the basis of the paint was apparently a compound of silver. The top part of the drawing (Fig. I6), shewing the general morphology of the plant, was drawn with a brush Fig. 17. Fucus volubiltSy var FlexuosuSy a seaweed. (From a drawing by Miss Baker. ) charged with white ink upon a black ground. In the simp...lest possible way relief has been obtained by repre- senting the leaflets of the nearer fronds by white spaces, whilst those further away are represented by white out- lines. An enlargement of a frond is shewn on the lower part of the picture, and here the parts are represented in black on a white ground. The leaflets are in black outline 61 RELIEF PRINTING and the fruits are made to stand out, as in the upper part, by the use of local colour — in this instance black — their shape being indicated by the curve of the higher lights.
What to read after The Essentials of Illustration a Practical Guide to the Reproduction of Drawing?
You can find similar books in the "Read Also" column, or choose other free books by Thomas George Hill to read onlineMoreLess
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