The Influence of the "celestina" in the Early English Drama

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For I serve in love to the goodliest thing That is or ever was.
Sem. What is she?
') This was attempted by Lavardin in his celebrated French version: La Celestine fidellement repurgee (des plusiers endroits scandaleux qui pouvoient offenser les religieuses oreiUes et y adioustant du sien) par Jaoq. de Lavardin.
Paris, 1577. — See Puibusque, Adolphe de, Histoire Comparee des Utteratures espagnole et frangaise, Paris 1843; I, p. 478; also Brunet, Vol. I, p. 1721.
') Ten Brink, Vol. II, part n, 14
...3.
— 52 — Cal. It is one which is all other exceeding The picture of angels, if thou her see: Phoehus or Phoebe no comparison may be To her.
Oh, what woefal wight with me may compare!
The thirst of sorrow in my mixed wine, "Which daily I drint with deep draughts of care.') The last two lines are especially note-worthy. The following shows the advance in the structure of the dialogue: Cal. (continuing) What counsel can rule him, Sempronio, That keepeth in him no order of counsel?
Sem. Ah, is this Calisto?


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