The Mirror of Taste, And Dramatic Censor, Vol. I, No. 4, April 1810

Cover The Mirror of Taste, And Dramatic Censor, Vol. I, No. 4, April 1810
The Mirror of Taste, And Dramatic Censor, Vol. I, No. 4, April 1810
Carpenter Stephen Cullen
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Wignell was put forward in his old established part of Portius. In thefirst scene he stepped forward in his accustomed strut and began The dawn is overcast, the morning low'rs And heavily with clouds brings on the day.
At this moment the audience began to vociferate "prologue, prologue, prologue, " when Wignell finding them resolute without moving from thespot, without pausing, or changing his tone of voice, but in all thepomposity of tragedy, went on as if it were part of the play.
    "Ladies
... and gentlemen, there has been no Prologue spoken to this play these twenty years-- The great, the important day, big with the fate Of Cato and of Rome. "---- This wonderful effusion put the audience in good humour--they laughedincontinently--clapped and shouted _bravo_, and Wignell proceeded withhis usual stateliness, self-complacency, and composure.
Mr. Wignell's biographer above mentioned relates the following anecdote. "During a rehearsal of _the suspicious husband_, Mr. Garrick exclaimed"pray Mr.


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