The Students Harmony

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57, gives us the melodic minor scale ascending and the harmonic descending. Ex. I. The same work contains examples of a minor scale with a sharpened 6th and 7th ascending and descending, a form frequently found in the works of i7th century composers; e. G. Purcell, "O Give Thanks. " ^ K. 2. J 1 I I 268 THE STUDEN1 S HARMONY. The ancient form of the minor scale, with a minor 6th and yth ascending and descending, known as the ^Eolian mode, is occasionally to be found in melodic passages. BACH "Or...gan Preludejn A minor. " VoL III. * * Ex. 3. 32. Consecutives by similar motion are to be found in the free style of composition when occurring (a) Between primary triads (20) or fundamental chords (89). SCHUBERT " Sonaia in A minor. " Op. 42, Ex. 4. F) V J J f i : ; _ X * ' EEf ; J * A f ~* ?r ' 1 ^, ^ = * * -*-r^ > | '^^ ' > 3 c :, S * DUSSEK " L' Invocation. " Op. 77. Ex. X [ . * Here the 8ves and 5ths in both examples are between dominant and tonic harmonies, t (b) Between different phrases.

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