Writing the Photoplay
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In our eReader you can find the full English version of the book. Read Writing the Photoplay Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Writing the Photoplay
What reading level is Writing the Photoplay book?
To quickly assess the difficulty of the text, read a short excerpt:
Plagiarism In justice to writers in general it is only fair to be- lieve that most cases of plagiarism are quite uninten- tional. The fault usually is in the writer's memory.
Turn your eye inward, and form the habit of tracing the origin of your inspirations — sometimes it may chagrin you to find how near to unconscious imitation you have been. You may get the inspiration for a story and write it ; it may be accepted and produced ; then, after its release, some friend will casually remark that ...it reminds him of a Vitagraph picture that he saw a year or two ago. And only after he has called your attention to it do you realize that that Vitagraph story, seen and forgotten, was the source of your "inspira- tion" — and perhaps you have committed an unconscious theft.
GETTING THE NEW TWIST 351 In an earlier chapter we have urged photoplay- wrights to keep in touch with the market so as to avoid writing on trite themes. But that practise will not help the conscious plagiarist. Why should he invent a new twist when he can steal one?
What to read after Writing the Photoplay?
You can find similar books in the "Read Also" column, or choose other free books by J Berg Joseph Berg Esenwein to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Plagiarism In justice to writers in general it is only fair to be- lieve that most cases of plagiarism are quite uninten- tional. The fault usually is in the writer's memory.
Turn your eye inward, and form the habit of tracing the origin of your inspirations — sometimes it may chagrin you to find how near to unconscious imitation you have been. You may get the inspiration for a story and write it ; it may be accepted and produced ; then, after its release, some friend will casually remark that ...it reminds him of a Vitagraph picture that he saw a year or two ago. And only after he has called your attention to it do you realize that that Vitagraph story, seen and forgotten, was the source of your "inspira- tion" — and perhaps you have committed an unconscious theft.
GETTING THE NEW TWIST 351 In an earlier chapter we have urged photoplay- wrights to keep in touch with the market so as to avoid writing on trite themes. But that practise will not help the conscious plagiarist. Why should he invent a new twist when he can steal one?
What to read after Writing the Photoplay?
You can find similar books in the "Read Also" column, or choose other free books by J Berg Joseph Berg Esenwein to read onlineMoreLess
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