The Factors of Shorthand Speed Or How to Become a Stenographic Expert a book
The Factors of Shorthand Speed Or How to Become a Stenographic Expert a book
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In our eReader you can find the full English version of the book. Read The Factors of Shorthand Speed Or How to Become a Stenographic Expert a book Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Factors of Shorthand Speed Or How to Become a Stenographic Expert a book
What reading level is The Factors of Shorthand Speed Or How to Become a Stenographic Expert a book book?
To quickly assess the difficulty of the text, read a short excerpt:
The writer unconsciously clings to the notion, al- ready referred to, that the twirling of the pen "in the air" before it touches the paper "tak- ing a good aim, " as the writing master calls it aids in the shaping of the characters.
Many writers who avoid the error of making a hand-lift instead of a pen-lift, lose time by lift- ing the pen too high. Let it be remembered that a mere breaking of the contact between 114 THE FACTORS OF SHORTHAND SPEED.
pen and paper is all that is necessary, and "...whatsoever is more than this cometh of evil. " With some of the most rapid writers I know, the pen, except at the end of a line, can scarcely be seen to leave the paper, the lifting being often so slight as to show upon close examina- tion a faint track left by the pen or pencil upon the paper in passing from word to word or from phrase to phrase. This I have noticed particu- larly in the writing of those masterly stenog- raphers, Mr. Andrew Devine and Mr. Fred Ir- land.
WASTEFUL SPACING.
Another case of lost motion is when the hand, while passing from word to word, travels far- ther than it needs to do, and makes the inter- vening spaces too large.
What to read after The Factors of Shorthand Speed Or How to Become a Stenographic Expert a book?
You can find similar books in the "Read Also" column, or choose other free books by D Wolfe David Wolfe Brown to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The writer unconsciously clings to the notion, al- ready referred to, that the twirling of the pen "in the air" before it touches the paper "tak- ing a good aim, " as the writing master calls it aids in the shaping of the characters.
Many writers who avoid the error of making a hand-lift instead of a pen-lift, lose time by lift- ing the pen too high. Let it be remembered that a mere breaking of the contact between 114 THE FACTORS OF SHORTHAND SPEED.
pen and paper is all that is necessary, and "...whatsoever is more than this cometh of evil. " With some of the most rapid writers I know, the pen, except at the end of a line, can scarcely be seen to leave the paper, the lifting being often so slight as to show upon close examina- tion a faint track left by the pen or pencil upon the paper in passing from word to word or from phrase to phrase. This I have noticed particu- larly in the writing of those masterly stenog- raphers, Mr. Andrew Devine and Mr. Fred Ir- land.
WASTEFUL SPACING.
Another case of lost motion is when the hand, while passing from word to word, travels far- ther than it needs to do, and makes the inter- vening spaces too large.
What to read after The Factors of Shorthand Speed Or How to Become a Stenographic Expert a book?
You can find similar books in the "Read Also" column, or choose other free books by D Wolfe David Wolfe Brown to read onlineMoreLess
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